Charlotte Gould, Artangel and Financing British Art: Adapting to Social and Economic Change
Since Iain Pears’s The Discovery of Painting (1988) and David Solkin’s Painting for Money (1993), art historians have demonstrated the fruitfulness of exploring British art through the lens of the art market, patronage and cultural policies. They have shown that the funding models of art, whether th...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Université Toulouse - Jean Jaurès
2019
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| Accesso online: | https://doi.org/10.4000/miranda.17581 https://hdl.handle.net/20.500.13089/ic2d https://journals.openedition.org/miranda/17581 |
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