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Charlotte Gould and Sophie Mesplède (eds), Marketing Art in the British Isles, 1700 to the Present

Marketing Art in the British Isles, 1700 to the Present, edited by Charlotte Gould and Sophie Mesplède, partakes of the emerging trend of art market studies, no longer deemed unworthy of research. Arthur Danto had endorsed the idea that artwork could not be envisaged outside its professional, commer...

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Autor principal: Adrien, Muriel
Formato: Artigo
Idioma:Inglês
Publicado em: Université Toulouse - Jean Jaurès 2014
Assuntos:
Royal Academy
collectionneurs
histoire de l’art
art britannique
marché de l’art
classes moyennes britanniques
post-impressionnisme
maisons aux enchères
Thatcherisme
collection Saatchi
musées
Turner Prize
Frieze Art Fair
Galerie Goupil
Galerie Corfax
Galerie Chenial
Ateliers Omega
Mouvement Arts and Crafts
Exposition Universelle de Paris de 1878
art history
British art
art market
British middle classes
Post-impressionism
auction houses
Thatcherism
Saatchi collection
museums
collectors
Goupil Gallery
Corfax Gallery
Chenial Gallery
Omega Workhops
Arts and Crafts Movement
1878 Paris Universal Exhibition
Acesso em linha:https://doi.org/10.4000/miranda.6502
https://hdl.handle.net/20.500.13089/ibrf
https://journals.openedition.org/miranda/6502
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