Charlotte Gould, Artangel and Financing British Art: Adapting to Social and Economic Change

Since Iain Pears’s The Discovery of Painting (1988) and David Solkin’s Painting for Money (1993), art historians have demonstrated the fruitfulness of exploring British art through the lens of the art market, patronage and cultural policies. They have shown that the funding models of art, whether th...

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Bibliográfalaš dieđut

Váldodahkki:	Ibata, Hélène
Materiálatiipa:	Artigo
Giella:	Inglês
Almmustuhtton:	Université Toulouse - Jean Jaurès 2019
Fáttát:	Londres art contemporain politiques culturelles mécénat processus créatifs art in situ London contemporary art cultural policies patronage creative processes site-specificity
Liŋkkat:	https://doi.org/10.4000/miranda.17581 https://hdl.handle.net/20.500.13089/ic2d https://journals.openedition.org/miranda/17581
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