Charlotte Gould, Artangel and Financing British Art: Adapting to Social and Economic Change

Since Iain Pears’s The Discovery of Painting (1988) and David Solkin’s Painting for Money (1993), art historians have demonstrated the fruitfulness of exploring British art through the lens of the art market, patronage and cultural policies. They have shown that the funding models of art, whether th...

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Detalles Bibliográficos

Autor principal:	Ibata, Hélène
Formato:	Artigo
Lenguaje:	Inglês
Publicado:	Université Toulouse - Jean Jaurès 2019
Materias:	Londres art contemporain politiques culturelles mécénat processus créatifs art in situ London contemporary art cultural policies patronage creative processes site-specificity
Acceso en línea:	https://doi.org/10.4000/miranda.17581 https://hdl.handle.net/20.500.13089/ic2d https://journals.openedition.org/miranda/17581
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