The Moor of Venice: Critically Analysing Othello Based on Race, Colour, Gender as the Social Constructor, and the Facilitator to Kill Desdemona
After World War II, Shakespearean critics often found ‗race‘ to be an incidental discourse in (c 0.1603). They were rooting for universal humanism and valour portrayed by the Moor of Venice, as their central point of evaluation. The paper would examine whether Othello‘s race and his cultural inherit...
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| Pubblicato in: | Litinfinite |
|---|---|
| Autori principali: | , |
| Natura: | Artigo |
| Lingua: | Inglês |
| Pubblicazione: |
Penprints Publication
2021
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| Soggetti: | |
| Accesso online: | https://www.redalyc.org/articulo.oa?id=689072592011 https://www.redalyc.org/journal/6890/689072592011/ https://www.redalyc.org/journal/6890/689072592011/html/ https://www.redalyc.org/journal/6890/689072592011/689072592011.epub https://www.redalyc.org/journal/6890/689072592011/movil https://doi.org/10.47365/litinfinite.3.1.2021.69-79 |
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