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The Moor of Venice: Critically Analysing Othello Based on Race, Colour, Gender as the Social Constructor, and the Facilitator to Kill Desdemona

After World War II, Shakespearean critics often found ‗race‘ to be an incidental discourse in (c 0.1603). They were rooting for universal humanism and valour portrayed by the Moor of Venice, as their central point of evaluation. The paper would examine whether Othello‘s race and his cultural inherit...

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Detalhes bibliográficos
Publicado no:Litinfinite
Principais autores: Chakraborty Sneha, Saha Oly
Formato: Artigo
Idioma:Inglês
Publicado em: Penprints Publication 2021
Assuntos:
Acesso em linha:https://www.redalyc.org/articulo.oa?id=689072592011
https://www.redalyc.org/journal/6890/689072592011/
https://www.redalyc.org/journal/6890/689072592011/html/
https://www.redalyc.org/journal/6890/689072592011/689072592011.epub
https://www.redalyc.org/journal/6890/689072592011/movil
https://doi.org/10.47365/litinfinite.3.1.2021.69-79
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