From Social Justice to Metaphor: The Whitening of Othello in the Russian Imagination

Othello was the most often-staged Shakespeare play on early Soviet stages, to a large extent because of its ideological utility. Interpreted with close attention to racial conflict, this play came to symbolize, for Soviet theatres and audiences, the destructive racism of the West in contrast with So...

Ausführliche Beschreibung

Bibliografische Detailangaben

1. Verfasser:	Natalia Khomenko
Format:	Artigo
Sprache:	Inglês
Veröffentlicht:	Lodz University Press 2021-06-01
Schriftenreihe:	Multicultural Shakespeare
Schlagworte:	othello blackface russian theatre russian film soviet theatre soviet film adaptation translation sergei iutkevich eldar riazanov aleksei zernov nikolai koliada petr gladilin vahram papazian
Online-Zugang:	https://czasopisma.uni.lodz.pl/szekspir/article/view/10721
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