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Martwe krajobrazy Roya Anderssona

This article focuses on Roy Andersson’s signature landscapes using theatrical (theatre of the absurd) and painting (the trompe d’oleil effect, the aesthetics of tableaux vivants) motifs. The author presents the complex web of roles that landscape fulfils in the Swedish director’s cinematography: the...

Whakaahuatanga katoa

I tiakina i:
Ngā taipitopito rārangi puna kōrero
Kaituhi matua: Justyna Machaj
Hōputu: Artigo
Reo:Inglês
I whakaputaina: Wydawnictwo Uniwersytetu Wrocławskiego 2024-07-01
Rangatū:Studia Filmoznawcze
Ngā marau:
Urunga tuihono:https://wuwr.pl/sf/article/view/16321
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