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Martwe krajobrazy Roya Anderssona

This article focuses on Roy Andersson’s signature landscapes using theatrical (theatre of the absurd) and painting (the trompe d’oleil effect, the aesthetics of tableaux vivants) motifs. The author presents the complex web of roles that landscape fulfils in the Swedish director’s cinematography: the...

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Bibliografski detalji
Glavni autor: Justyna Machaj
Format: Artigo
Jezik:Inglês
Izdano: Wydawnictwo Uniwersytetu Wrocławskiego 2024-07-01
Serija:Studia Filmoznawcze
Teme:
Online pristup:https://wuwr.pl/sf/article/view/16321
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