Martwe krajobrazy Roya Anderssona
This article focuses on Roy Andersson’s signature landscapes using theatrical (theatre of the absurd) and painting (the trompe d’oleil effect, the aesthetics of tableaux vivants) motifs. The author presents the complex web of roles that landscape fulfils in the Swedish director’s cinematography: the...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Wydawnictwo Uniwersytetu Wrocławskiego
2024-07-01
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| Series: | Studia Filmoznawcze |
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| Acceso en liña: | https://wuwr.pl/sf/article/view/16321 |
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