La fortuna dell’iconografia di Pulcinella all’inizio degli anni Venti del Novecento : Pablo Picasso e Gino Severini
In the second half of the nineteenth and early twentieth centuries, when the Commedia dell’Arte had exhausted its cycle from a theatrical point of view, masks such as Pulcinella, Arlecchino and Pierrot, together with street performers, clowns and acrobats, began to lose their specificity for the wid...
Gardado en:
| Autor Principal: | |
|---|---|
| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado: |
Université du Sud Toulon-Var
2017-06-01
|
| Series: | Babel: Littératures Plurielles |
| Assuntos: | |
| Acceso en liña: | http://journals.openedition.org/babel/4858 |
| Tags: |
Sen Etiquetas, Sexa o primeiro en etiquetar este rexistro!
|