La fortuna dell’iconografia di Pulcinella all’inizio degli anni Venti del Novecento : Pablo Picasso e Gino Severini
In the second half of the nineteenth and early twentieth centuries, when the Commedia dell’Arte had exhausted its cycle from a theatrical point of view, masks such as Pulcinella, Arlecchino and Pierrot, together with street performers, clowns and acrobats, began to lose their specificity for the wid...
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| Hovedforfatter: | |
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| Format: | Artigo |
| Sprog: | Inglês |
| Udgivet: |
Université du Sud Toulon-Var
2017-06-01
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| Serier: | Babel: Littératures Plurielles |
| Fag: | |
| Online adgang: | http://journals.openedition.org/babel/4858 |
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