La fortuna dell’iconografia di Pulcinella all’inizio degli anni Venti del Novecento : Pablo Picasso e Gino Severini
In the second half of the nineteenth and early twentieth centuries, when the Commedia dell’Arte had exhausted its cycle from a theatrical point of view, masks such as Pulcinella, Arlecchino and Pierrot, together with street performers, clowns and acrobats, began to lose their specificity for the wid...
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| Hlavní autor: | |
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| Médium: | Artigo |
| Jazyk: | Inglês |
| Vydáno: |
Université du Sud Toulon-Var
2017-06-01
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| Edice: | Babel: Littératures Plurielles |
| Témata: | |
| On-line přístup: | http://journals.openedition.org/babel/4858 |
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