“Chinese style” in music at the turn of the 19th-20th centuries
The study focuses on the features of perception and interpretation of China and Chinese culture in European music at the turn of the 19th/20th centuries—yet another heyday for chinoiserie (“Chinese style”) in art. The author uses an integrated approach which encompasses cultural-historical,...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Gnesin Russian Academy of Music
2020-01-01
|
| Rangatū: | Современные проблемы музыкознания |
| Urunga tuihono: | https://gnesinsjournal.ru/index.php/CM/article/view/64 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|