“Chinese style” in music at the turn of the 19th-20th centuries
The study focuses on the features of perception and interpretation of China and Chinese culture in European music at the turn of the 19th/20th centuries—yet another heyday for chinoiserie (“Chinese style”) in art. The author uses an integrated approach which encompasses cultural-historical,...
Bewaard in:
| Hoofdauteur: | |
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| Formaat: | Artigo |
| Taal: | Inglês |
| Gepubliceerd in: |
Gnesin Russian Academy of Music
2020-01-01
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| Reeks: | Современные проблемы музыкознания |
| Online toegang: | https://gnesinsjournal.ru/index.php/CM/article/view/64 |
| Tags: |
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