Absurd as the Core of Meaning-Making Strategies in James Ensor’s Work
James Ensor (1860–1949), whose oeuvre lies at the origins of modernism, consistently transforms the semantic functions of the absurd in a number of his works, thereby establishing the foundations for a new stage in the development of this rhetorical device in visual art — a stage that anticipates th...
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| Autor Principal: | |
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| Formato: | Artigo |
| Idioma: | Inglês |
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State Institute for Art Studies
2026-03-01
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| Series: | Художественная культура |
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| Acceso en liña: | https://artculturestudies.sias.ru/upload/iblock/998/59xduczwax29q6qefwshtk7qqy1d1qt0/hk_2026_1_147_167.pdf |
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