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The reception of Max Dvořák’s thought in Italy: resistances and unlucky attempts between the 1920s and the 1940s

The essay proposes a synthesis of the reception by Italian scholars of Max Dvořák’s art history theories between the 1920s and the 1940s. The resistance to his thought for both linguistic and ideological reasons will be underlined mostly based on the reviews and essays influenced by Adolfo Venturi a...

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Detalhes bibliográficos
Autor principal: Francesca Bottura
Formato: Artigo
Idioma:Inglês
Publicado em: Department of Art History, University of Birmingham 2023-12-01
coleção:Journal of Art Historiography
Assuntos:
Acesso em linha:https://arthistoriography.files.wordpress.com/2023/10/bottura.pdf
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