The reception of Max Dvořák’s thought in Italy: resistances and unlucky attempts between the 1920s and the 1940s
The essay proposes a synthesis of the reception by Italian scholars of Max Dvořák’s art history theories between the 1920s and the 1940s. The resistance to his thought for both linguistic and ideological reasons will be underlined mostly based on the reviews and essays influenced by Adolfo Venturi a...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Artigo |
| اللغة: | Inglês |
| منشور في: |
Department of Art History, University of Birmingham
2023-12-01
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| سلاسل: | Journal of Art Historiography |
| الموضوعات: | |
| الوصول للمادة أونلاين: | https://arthistoriography.files.wordpress.com/2023/10/bottura.pdf |
| الوسوم: |
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