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The reception of Max Dvořák’s thought in Italy: resistances and unlucky attempts between the 1920s and the 1940s

The essay proposes a synthesis of the reception by Italian scholars of Max Dvořák’s art history theories between the 1920s and the 1940s. The resistance to his thought for both linguistic and ideological reasons will be underlined mostly based on the reviews and essays influenced by Adolfo Venturi a...

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Bibliografiske detaljer
Hovedforfatter: Francesca Bottura
Format: Artigo
Sprog:Inglês
Udgivet: Department of Art History, University of Birmingham 2023-12-01
Serier:Journal of Art Historiography
Fag:
Online adgang:https://arthistoriography.files.wordpress.com/2023/10/bottura.pdf
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