Procesos y disputas en la formación del espectador: censura moral y cinefilia en Medellín, 1945-1958
Objective/Context: this paper reviews the strategies and practices through which the Catholic Church and the Medellin Cine-Club (Movie Club) drove specific ways of viewing and judging movies in the mid-20th century in this city. Methodology: with this aim, we draw upon the critique of printed docume...
Furkejuvvon:
| Váldodahkkit: | , |
|---|---|
| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
Universidad de los Andes
2021-01-01
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| Ráidu: | Historia Crítica |
| Fáttát: | |
| Liŋkkat: | https://revistas.uniandes.edu.co/doi/full/10.7440/histcrit79.2021.04 |
| Fáddágilkorat: |
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