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Procesos y disputas en la formación del espectador: censura moral y cinefilia en Medellín, 1945-1958

Objective/Context: this paper reviews the strategies and practices through which the Catholic Church and the Medellin Cine-Club (Movie Club) drove specific ways of viewing and judging movies in the mid-20th century in this city. Methodology: with this aim, we draw upon the critique of printed docume...

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Bibliografiske detaljer
Principais autores: Santiago Alarcón Tobón, Andrés Villegas Vélez
Format: Artigo
Sprog:Inglês
Udgivet: Universidad de los Andes 2021-01-01
Serier:Historia Crítica
Fag:
Online adgang:https://revistas.uniandes.edu.co/doi/full/10.7440/histcrit79.2021.04
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