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Procesos y disputas en la formación del espectador: censura moral y cinefilia en Medellín, 1945-1958

Objective/Context: this paper reviews the strategies and practices through which the Catholic Church and the Medellin Cine-Club (Movie Club) drove specific ways of viewing and judging movies in the mid-20th century in this city. Methodology: with this aim, we draw upon the critique of printed docume...

Disgrifiad llawn

Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awduron: Santiago Alarcón Tobón, Andrés Villegas Vélez
Fformat: Artigo
Iaith:Inglês
Cyhoeddwyd: Universidad de los Andes 2021-01-01
Cyfres:Historia Crítica
Pynciau:
Mynediad Ar-lein:https://revistas.uniandes.edu.co/doi/full/10.7440/histcrit79.2021.04
Tagiau: Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!