Pointes, hachoirs et marteaux
Between the opening of the École des beaux-arts to women in the late 19th century and the attack by suffragette Mary Richardson at the dawn of World War I against Velázquez’s The Toilet of Venus, commonly known in English as the Rokeby Venus, there was an abundance of speeches on the subject of the...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Francês |
| Publicat: |
École du Louvre
2020-11-01
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| Col·lecció: | Les Cahiers de l'École du Louvre |
| Matèries: | |
| Accés en línia: | https://journals.openedition.org/cel/9572 |
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