Pointes, hachoirs et marteaux
Between the opening of the École des beaux-arts to women in the late 19th century and the attack by suffragette Mary Richardson at the dawn of World War I against Velázquez’s The Toilet of Venus, commonly known in English as the Rokeby Venus, there was an abundance of speeches on the subject of the...
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| Hlavní autor: | |
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| Médium: | Artigo |
| Jazyk: | Francês |
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École du Louvre
2020-11-01
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| Edice: | Les Cahiers de l'École du Louvre |
| Témata: | |
| On-line přístup: | https://journals.openedition.org/cel/9572 |
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