From Fugitive Poses to Visual Sovereignty : The Photo-poetics of Leslie Silko’s Storyteller and Joy Harjo’s Crazy Brave
This essay foregrounds Indigenous critical perspectives on the history of photography in the U. S. West. It considers how two Native writers, Leslie Silko and Joy Harjo, resist the settler-colonial narrative of “vanishing” Indians in their multigenre texts. By narrating the “fugitive poses” staged b...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Association française d'Etudes Américaines (AFEA)
2017
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| Acesso em linha: | https://doi.org/10.4000/transatlantica.9305 https://hdl.handle.net/20.500.13089/ll0i https://journals.openedition.org/transatlantica/9305 |
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