From Fugitive Poses to Visual Sovereignty : The Photo-poetics of Leslie Silko’s Storyteller and Joy Harjo’s Crazy Brave

This essay foregrounds Indigenous critical perspectives on the history of photography in the U. S. West. It considers how two Native writers, Leslie Silko and Joy Harjo, resist the settler-colonial narrative of “vanishing” Indians in their multigenre texts. By narrating the “fugitive poses” staged b...

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Bibliográfalaš dieđut

Váldodahkki:	Goodman, Audrey
Materiálatiipa:	Artigo
Giella:	Inglês
Almmustuhtton:	Association française d'Etudes Américaines (AFEA) 2017
Fáttát:	récit photographie indigène souveraineté visuelle photo-poétique Leslie Silko Joy Harjo native photography visual sovereignty photo-poetics storytelling
Liŋkkat:	https://doi.org/10.4000/transatlantica.9305 https://hdl.handle.net/20.500.13089/ll0i https://journals.openedition.org/transatlantica/9305
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