From Fugitive Poses to Visual Sovereignty : The Photo-poetics of Leslie Silko’s Storyteller and Joy Harjo’s Crazy Brave

This essay foregrounds Indigenous critical perspectives on the history of photography in the U. S. West. It considers how two Native writers, Leslie Silko and Joy Harjo, resist the settler-colonial narrative of “vanishing” Indians in their multigenre texts. By narrating the “fugitive poses” staged b...

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Autore principale:	Goodman, Audrey
Natura:	Artigo
Lingua:	Inglês
Pubblicazione:	Association française d'Etudes Américaines (AFEA) 2017
Soggetti:	récit photographie indigène souveraineté visuelle photo-poétique Leslie Silko Joy Harjo native photography visual sovereignty photo-poetics storytelling
Accesso online:	https://doi.org/10.4000/transatlantica.9305 https://hdl.handle.net/20.500.13089/ll0i https://journals.openedition.org/transatlantica/9305
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