Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement

This paper proposes to look at two contemporary British novels that, contrary to traditional practice, use their final pages to unsettle the conclusion reached earlier, and leave the reader in a state of uncertainty. Both A. S. Byatt’s Possession, a Romance (1990) and Ian McEwan’s Atonement (2001) p...

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Autor principal:	Parey, Armelle
Formato:	Artigo
Lenguaje:	Inglês
Publicado:	Centre de recherche VALE 2018
Materias:	fin narrateur Byatt (A. S.) Atonement dissonance épilogue justice poétique McEwan (Ian) Possession post-script ending epilogue poetic justice postscript
Acceso en línea:	https://doi.org/10.4000/sillagescritiques.5751 https://hdl.handle.net/20.500.13089/kq40 https://journals.openedition.org/sillagescritiques/5751
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