Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement

This paper proposes to look at two contemporary British novels that, contrary to traditional practice, use their final pages to unsettle the conclusion reached earlier, and leave the reader in a state of uncertainty. Both A. S. Byatt’s Possession, a Romance (1990) and Ian McEwan’s Atonement (2001) p...

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Bibliografische Detailangaben

1. Verfasser:	Parey, Armelle
Format:	Artigo
Sprache:	Inglês
Veröffentlicht:	Centre de recherche VALE 2018
Schlagworte:	fin narrateur Byatt (A. S.) Atonement dissonance épilogue justice poétique McEwan (Ian) Possession post-script ending epilogue poetic justice postscript
Online-Zugang:	https://doi.org/10.4000/sillagescritiques.5751 https://hdl.handle.net/20.500.13089/kq40 https://journals.openedition.org/sillagescritiques/5751
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