Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement

This paper proposes to look at two contemporary British novels that, contrary to traditional practice, use their final pages to unsettle the conclusion reached earlier, and leave the reader in a state of uncertainty. Both A. S. Byatt’s Possession, a Romance (1990) and Ian McEwan’s Atonement (2001) p...

Whakaahuatanga katoa

Ngā taipitopito rārangi puna kōrero

Kaituhi matua:	Parey, Armelle
Hōputu:	Artigo
Reo:	Inglês
I whakaputaina:	Centre de recherche VALE 2018
Ngā marau:	fin narrateur Byatt (A. S.) Atonement dissonance épilogue justice poétique McEwan (Ian) Possession post-script ending epilogue poetic justice postscript
Urunga tuihono:	https://doi.org/10.4000/sillagescritiques.5751 https://hdl.handle.net/20.500.13089/kq40 https://journals.openedition.org/sillagescritiques/5751
Ngā Tūtohu:	Tāpirihia he Tūtohu Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!