“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014)

The paper focuses on Michael Almereyda’s Cymbeline (2014), a modernized re-telling of Shakespeare’s play in which the Briton motorcycle gang, led by drug kingpin Cymbeline, comes into conflict with the Rome police force, led by Caius Lucius. In the film, which has been defined as “Shakespeare in the...

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Detalhes bibliográficos

Autor principal:	Calbi, Maurizio
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Société Française Shakespeare 2018
Assuntos:	adaptation Cymbeline Almereyda Michael compagnonnage masculin « Fear no more » nouvelles technologies politique du genre Shakespeare et les médias sociaux “Fear no more ” gender politics male bonding new media technologies Shakespeare and social media
Acesso em linha:	https://doi.org/10.4000/shakespeare.4040 https://hdl.handle.net/20.500.13089/kouk https://journals.openedition.org/shakespeare/4040
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