“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014)
The paper focuses on Michael Almereyda’s Cymbeline (2014), a modernized re-telling of Shakespeare’s play in which the Briton motorcycle gang, led by drug kingpin Cymbeline, comes into conflict with the Rome police force, led by Caius Lucius. In the film, which has been defined as “Shakespeare in the...
שמור ב:
| מחבר ראשי: | |
|---|---|
| פורמט: | Artigo |
| שפה: | Inglês |
| יצא לאור: |
Société Française Shakespeare
2018
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| נושאים: | |
| גישה מקוונת: | https://doi.org/10.4000/shakespeare.4040 https://hdl.handle.net/20.500.13089/kouk https://journals.openedition.org/shakespeare/4040 |
| תגים: |
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
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