“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014)

The paper focuses on Michael Almereyda’s Cymbeline (2014), a modernized re-telling of Shakespeare’s play in which the Briton motorcycle gang, led by drug kingpin Cymbeline, comes into conflict with the Rome police force, led by Caius Lucius. In the film, which has been defined as “Shakespeare in the...

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Bibliografski detalji

Glavni autor:	Calbi, Maurizio
Format:	Artigo
Jezik:	Inglês
Izdano:	Société Française Shakespeare 2018
Teme:	adaptation Cymbeline Almereyda Michael compagnonnage masculin « Fear no more » nouvelles technologies politique du genre Shakespeare et les médias sociaux “Fear no more ” gender politics male bonding new media technologies Shakespeare and social media
Online pristup:	https://doi.org/10.4000/shakespeare.4040 https://hdl.handle.net/20.500.13089/kouk https://journals.openedition.org/shakespeare/4040
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