Between It-Narratives and Agalmata: Nathaniel Hawthorne’s Tales, (In)Animate Things and the Lifelikeness of Artefacts
“Drowne’s Wooden Image” (1844) and “Feathertop” (1852) have often been read as indebted to the myth of Pygmalion. Yet, multiple deviations from the standard pattern complicate the ways in which readers understand the age-old ambition of artists of achieving lifelikeness, life itself, in their works....
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Presses universitaires de Rennes
2025
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| Acesso em linha: | https://hdl.handle.net/20.500.13089/15e4s https://journals.openedition.org/jsse/4859 |
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