Between It-Narratives and Agalmata: Nathaniel Hawthorne’s Tales, (In)Animate Things and the Lifelikeness of Artefacts
“Drowne’s Wooden Image” (1844) and “Feathertop” (1852) have often been read as indebted to the myth of Pygmalion. Yet, multiple deviations from the standard pattern complicate the ways in which readers understand the age-old ambition of artists of achieving lifelikeness, life itself, in their works....
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| Natura: | Artigo |
| Lingua: | Inglês |
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Presses universitaires de Rennes
2025
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| Accesso online: | https://hdl.handle.net/20.500.13089/15e4s https://journals.openedition.org/jsse/4859 |
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