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Between It-Narratives and Agalmata: Nathaniel Hawthorne’s Tales, (In)Animate Things and the Lifelikeness of Artefacts

“Drowne’s Wooden Image” (1844) and “Feathertop” (1852) have often been read as indebted to the myth of Pygmalion. Yet, multiple deviations from the standard pattern complicate the ways in which readers understand the age-old ambition of artists of achieving lifelikeness, life itself, in their works....

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Detalles Bibliográficos
Autor Principal: Monfort, Bruno
Formato: Artigo
Idioma:Inglês
Publicado: Presses universitaires de Rennes 2025
Acceso en liña:https://hdl.handle.net/20.500.13089/15e4s
https://journals.openedition.org/jsse/4859
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