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THE SOUNDTRACK OF ORLANDO AS A MICROCOSM OF POTTER’S FILMIC ADAPTATION

This study analyses the soundtrack of the film Orlando (1992), directed by Sally Potter, a recreation of the novel by the same title, written by Virginia Woolf (1928). Despite the fact that Potter and Woolf have lived in different times, both focused on matters of gender and, each in her own way, ch...

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Détails bibliographiques
Publié dans:Cadernos de Tradução
Auteur principal: Sílvia Maria Guerra Anastácio
Format: Artigo
Langue:Inglês
Publié: Universidade Federal de Santa Catarina 2005
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Accès en ligne:https://www.redalyc.org/articulo.oa?id=731980247022
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