THE SOUNDTRACK OF ORLANDO AS A MICROCOSM OF POTTER’S FILMIC ADAPTATION
This study analyses the soundtrack of the film Orlando (1992), directed by Sally Potter, a recreation of the novel by the same title, written by Virginia Woolf (1928). Despite the fact that Potter and Woolf have lived in different times, both focused on matters of gender and, each in her own way, ch...
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| Publicado en: | Cadernos de Tradução |
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| Autor principal: | |
| Formato: | Artigo |
| Lenguaje: | Inglês |
| Publicado: |
Universidade Federal de Santa Catarina
2005
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| Materias: | |
| Acceso en línea: | https://www.redalyc.org/articulo.oa?id=731980247022 |
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