Contesting that Damned Mambo: Arsenio Rodríguez, Authenticity, and the People of El Barrio and the Bronx in the 1950s
This essay focuses on the local history of the Park Palace/Plaza, Club Cubano Inter-Americano, and the Tropicana of El Barrio and the Bronx and the contribution ofblack Cuban musician Arsenio Rodríguez (19111970) to this history. It documentsRodríguezs contestation for recognition as the creator...
Guardado en:
| Publicado en: | Centro Journal |
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| Autor principal: | |
| Formato: | Artigo |
| Lenguaje: | Inglês |
| Publicado: |
The City University of New York
2004
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| Materias: | |
| Acceso en línea: | https://www.redalyc.org/articulo.oa?id=37716112 |
| Etiquetas: |
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