Carregant...

Contesting that Damned Mambo: Arsenio Rodríguez, Authenticity, and the People of El Barrio and the Bronx in the 1950s

This essay focuses on the local history of the Park Palace/Plaza, Club Cubano Inter-Americano, and the Tropicana of El Barrio and the Bronx and the contribution ofblack Cuban musician Arsenio Rodríguez (1911–1970) to this history. It documentsRodríguez’s contestation for recognition as the “creator”...

Descripció completa

Guardat en:
Dades bibliogràfiques
Publicat a:Centro Journal
Autor principal: David F. García
Format: Artigo
Idioma:Inglês
Publicat: The City University of New York 2004
Matèries:
Accés en línia:https://www.redalyc.org/articulo.oa?id=37716112
Etiquetes: Afegir etiqueta
Sense etiquetes, Sigues el primer a etiquetar aquest registre!