Contesting that Damned Mambo: Arsenio Rodríguez, Authenticity, and the People of El Barrio and the Bronx in the 1950s
This essay focuses on the local history of the Park Palace/Plaza, Club Cubano Inter-Americano, and the Tropicana of El Barrio and the Bronx and the contribution ofblack Cuban musician Arsenio Rodríguez (19111970) to this history. It documentsRodríguezs contestation for recognition as the creator...
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| Publié dans: | Centro Journal |
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| Auteur principal: | |
| Format: | Artigo |
| Langue: | Inglês |
| Publié: |
The City University of New York
2004
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| Sujets: | |
| Accès en ligne: | https://www.redalyc.org/articulo.oa?id=37716112 |
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