“Ad dissonantiam per consonantiam”: the scope and limits of Darius Milhaud´s system of “Polytonalité harmonique”: the immanent and poietic levels (Part 1)
A frequent feature in early twentieth-century music, which gained enormous impulse from Stravinsky´s introduction of complex polyharmonies in the Rite of Spring, has been the utilization of “dissonant” harmonic aggregates, presenting the peculiarity of being decomposable into traditional consonant u...
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| Үндсэн зохиолч: | |
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| Формат: | Online |
| Хэл сонгох: | Inglês |
| Хэвлэсэн: |
Programa de Pós-Graduação em Música da UFRJ
2015
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| Онлайн хандалт: | https://revistas.ufrj.br/index.php/rbm/article/view/29177 |
| Шошгууд: |
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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