“Ad dissonantiam per consonantiam”: the scope and limits of Darius Milhaud´s system of “Polytonalité harmonique”: the immanent and poietic levels (Part 1)
A frequent feature in early twentieth-century music, which gained enormous impulse from Stravinsky´s introduction of complex polyharmonies in the Rite of Spring, has been the utilization of “dissonant” harmonic aggregates, presenting the peculiarity of being decomposable into traditional consonant u...
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| Materialtyp: | Online |
| Språk: | Inglês |
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Programa de Pós-Graduação em Música da UFRJ
2015
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| Länkar: | https://revistas.ufrj.br/index.php/rbm/article/view/29177 |
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