Conserver la musique enregistrée, 1877-2017. Document, œuvre, expérience : trois paradigmes témoins d’un rapport changeant à la musique

Although the desire to preserve music as a performance and to ensure its long-lasting accessibility dates back to the Romanticism, preservation only became technically feasible when phonography was invented. This paper analyses the relation­ships between recording, performance and preservation throu...

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Detaylı Bibliyografya

Yazar:	Sophie Maisonneuve
Materyal Türü:	Artigo
Dil:	Francês
Baskı/Yayın Bilgisi:	Avignon Université 2017-06-01
Seri Bilgileri:	Culture & Musées
Konular:	museum music performance music recording library performativity
Online Erişim:	https://journals.openedition.org/culturemusees/1072
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