Conserver la musique enregistrée, 1877-2017. Document, œuvre, expérience : trois paradigmes témoins d’un rapport changeant à la musique
Although the desire to preserve music as a performance and to ensure its long-lasting accessibility dates back to the Romanticism, preservation only became technically feasible when phonography was invented. This paper analyses the relationships between recording, performance and preservation throu...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Francês |
| Publicado em: |
Avignon Université
2017-06-01
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| coleção: | Culture & Musées |
| Assuntos: | |
| Acesso em linha: | https://journals.openedition.org/culturemusees/1072 |
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