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Female gazes in colonial Libya: forgotten artists between amateurism and professionalism

Recent years have witnessed, also in the Italian context, the flourishing of numerous studies aimed at investigating so-called colonial art and, in parallel, the major exhibitions that were dedicated to it especially during the Fascist ventennio. These studies have brought to light the names of nume...

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Dettagli Bibliografici
Autore principale: Priscilla Manfren
Natura: Artigo
Lingua:Inglês
Pubblicazione: University of Bologna 2024-07-01
Serie:piano b
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Accesso online:https://pianob.unibo.it/article/view/19603
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