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Female gazes in colonial Libya: forgotten artists between amateurism and professionalism

Recent years have witnessed, also in the Italian context, the flourishing of numerous studies aimed at investigating so-called colonial art and, in parallel, the major exhibitions that were dedicated to it especially during the Fascist ventennio. These studies have brought to light the names of nume...

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Detalles Bibliográficos
Autor Principal: Priscilla Manfren
Formato: Artigo
Idioma:Inglês
Publicado: University of Bologna 2024-07-01
Series:piano b
Assuntos:
Acceso en liña:https://pianob.unibo.it/article/view/19603
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