Face, linguistic (im)politeness and polyphony in Thomas Hardy’s Far from the Madding Crowd
Thomas Hardy’s novel Far from the Madding Crowd provides a stark contrast in how the characters project their face (Goffman 1967) and how they seek approval from others. Such a contrast can be analysed in terms of Bakhtin’s polyphony – the many voices found in a text which includes the author’s port...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Faculty of Philology, University of Bialystok
2013-06-01
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| Col·lecció: | Crossroads |
| Matèries: | |
| Accés en línia: | https://czasopisma.filologia.uwb.edu.pl/index.php/c/article/view/690 |
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