Face, linguistic (im)politeness and polyphony in Thomas Hardy’s Far from the Madding Crowd
Thomas Hardy’s novel Far from the Madding Crowd provides a stark contrast in how the characters project their face (Goffman 1967) and how they seek approval from others. Such a contrast can be analysed in terms of Bakhtin’s polyphony – the many voices found in a text which includes the author’s port...
Gorde:
| Egile nagusia: | |
|---|---|
| Formatua: | Artigo |
| Hizkuntza: | Inglês |
| Argitaratua: |
Faculty of Philology, University of Bialystok
2013-06-01
|
| Saila: | Crossroads |
| Gaiak: | |
| Sarrera elektronikoa: | https://czasopisma.filologia.uwb.edu.pl/index.php/c/article/view/690 |
| Etiketak: |
Etiketarik gabe, Izan zaitez lehena erregistro honi etiketa jartzen!
|