Le tribunal figural de la fiction expressionniste
The article considers a singular film, Von morgens bis mitternachts, directed by Karl Heinz Martin in 1920. This fiction is a major work of the German expressionist current because of the originality of its visual inventions. The faces are painted and grimed. The sets appear unfinished and awkward....
保存先:
| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Alemão |
| 出版事項: |
Presses universitaires de Strasbourg
2020-12-01
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| シリーズ: | Recherches Germaniques |
| 主題: | |
| オンライン･アクセス: | https://journals.openedition.org/rg/4792 |
| タグ: |
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