Le tribunal figural de la fiction expressionniste
The article considers a singular film, Von morgens bis mitternachts, directed by Karl Heinz Martin in 1920. This fiction is a major work of the German expressionist current because of the originality of its visual inventions. The faces are painted and grimed. The sets appear unfinished and awkward....
Bewaard in:
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| Formaat: | Artigo |
| Taal: | Alemão |
| Gepubliceerd in: |
Presses universitaires de Strasbourg
2020-12-01
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| Reeks: | Recherches Germaniques |
| Onderwerpen: | |
| Online toegang: | https://journals.openedition.org/rg/4792 |
| Tags: |
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